A painting of a group of fifteen puritans in 17th century dress walking through a snowy field. In the extreme are three skinny trees. In the distance are more trees.

Volume 94.2: June 2021

The New England Quarterly announces the publication of Volume 94.2: June 2021. Editorial Editorialby Jonathan Chu Memoranda and Document “A Monster of iniquity in my self”: Queer Sacramental Temporality in Thomas Shepard and Michael Wigglesworthby Taylor Kraayenbrink The Aesthetics of Doom: Nature, Science, and Art in Henry Adams’s Dynamic Theory of Historyby Robert F. Sommer Transatlantic … Continue reading Volume 94.2: June 2021

A black and white wood engraving print of an abolitionist meeting in Tremont Temple in Boston, MA on December 3, 1860. Frederick Douglass, a Black man, wears long pants, a waistcoat, and a long coat on the stage in the center of the image. He stands with one hand on his hip and the other out-raised, his mouth open as he speaks back to an unruly crowd at the lower left and in the background around the stage. Officers attempt to quell the crowd in the bottom center of the image. A white man on stage steps towards Douglass and has his hand on Douglass's shoulder. Other white men stand on stage looking at the crowd. On the far right midground, a white man with a beard in a top hat, long pants, and knee-length coat has his left hand in his pocket and his right hand up. In the upper left of the image, three women in bonnets fight on a jutting balcony.

Volume 94.1: March 2021

The New England Quarterly announces the publication of Volume 94.1: March 2021. —  Volume 94, Issue 1: March 2021  — Editorialby Jonathan M. Chu Anti-Abolitionism in New Engalnd The “Abolition Riot” Redux: Voices, Processesby Lindsay Campbell “This Most Atrocious Crusade Against Personal Freedom”: Anti-abolitionist Violence in Boston on the Eve of Warby Patrick T.J. Browne “Where … Continue reading Volume 94.1: March 2021


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